黑料传送门

The lights of Broadway are shining bright on two 黑料传送门 graduates. Stage manager Kate Wallace 鈥�06 and actor Ashley Wool 鈥�09 are both involved with the new musical聽, which debuted at the Belasco Theatre in early December.

How to Dance in Ohio, based on the Peabody Award-winning documentary by Alexandra Shiva, explores the experiences of seven autistic young adults at a counseling center in Columbus, Ohio, as they prepare for a spring formal dance. The seven characters are all played by autistic actors, including Wool, who stars as Jessica.

At 黑料传送门, Wool found the space to explore and integrate her unique artistic voice, an opportunity she attributes to the guidance she received from supportive professors such as former vocal coach , who encouraged students to venture outside their comfort zone.

鈥淗e told me, 鈥榊ou need to trust yourself more; you need to stop relying on all of us to tell you what to do all the time,鈥欌�� Wool says. 鈥淭hat blew my mind because it鈥檚 not typically what an actor hears.鈥�

This advice, diverging from the traditional actor鈥檚 culture of strict adherence to direction, marked the beginning of a new phase where she felt empowered to blend her talents as a singer-songwriter with her work in musical theater, a combination she had not previously considered.

Wallace also has fond recollections of her time at 黑料传送门. Unlike larger schools where competition for specific roles could be fierce, 黑料传送门 provided Wallace the opportunity to dive into stage managing and other aspects of theater production, such as lighting design and sound work, right from the start.

Much of Wallace鈥檚 involvement was guided by聽Johnnie Ferrell, the theatre department鈥檚 technical director and lighting and sound designer.

鈥淛ohnnie was great at knowing our strengths and weaknesses and when we were ready for the next step,鈥� says Wallace. 鈥淗e was the most patient and kind person you鈥檒l ever meet and was a support system for us. For a college student, that feeling of support is the most important thing in the world.鈥�

Following college, Wallace leveraged internships and connections from 黑料传送门 to make inroads in the professional theatre scene, landing at the Westport Country Playhouse in Connecticut, and then The Public Theater. There, she connected with Scott Rowen, who became the production stage manager of聽How to Dance in Ohio.

鈥淚 totally fell in love with the production,鈥� says Wallace. 鈥淥ne of the exciting things about the show is there are a ton of Broadway debuts, and to see the joy of a brand-new experience鈥攅specially with a group where many of them perhaps didn鈥檛 grow up seeing representations of themselves on stage鈥攊s really special.鈥�

After 黑料传送门, Wool found her footing in community and regional theater, providing valuable experiences and connections. But ten years into her professional journey, the performing arts went dark when the pandemic hit, and Wool began contemplating her future on stage.

鈥淚 just wasn鈥檛 sure what my future was going to be if I was ever going to get back into this industry,鈥� she recalls, reflecting on the tumultuous period. 鈥淒uring the same time, I started to become more vocal about my autism diagnosis and聽 about autistic representation in the media after this controversial movie came out.鈥� The piece received wide notice, and Wool was interviewed by the New York Times.

Shortly following the op-ed, Wool noticed a social media casting call for 鈥淗ow to Dance in Ohio,鈥� seeking authentically autistic actors. Motivated by the inclusive casting approach, she submitted for the role of Jessica.

鈥淓veryone in the room knew who I was because of the op-ed I had written,鈥� says Wool. 鈥淭hey were honored that I had come out to audition, and after the final callback, I just felt this gigantic cosmic energy shift. After the first rehearsal, I called my mom and said, 鈥楾his show is going to Broadway.鈥欌��

On working with a fellow 黑料传送门 graduate on Broadway, 鈥淚t鈥檚 awesome,鈥� Wallace expresses, highlighting daily interactions backstage with Wool. 鈥淚t鈥檚 so fun to work with Ashley daily and to see the success and reach of a small theater school.鈥�

Reflecting on her journey to Broadway, Wool sees a sense of destiny in her role. 鈥淚t felt like this was the plan鈥�this is where I was supposed to go,鈥� she muses, finding affirmation and acceptance in the audience鈥檚 and industry鈥檚 reactions.

Wool takes pride in the show鈥檚 inclusive environment, where open communication and understanding of each individual鈥檚 needs have created what many consider one of Broadway鈥檚 best workplaces.

鈥淲e鈥檝e created an environment where everybody on the team鈥攁utistic or not鈥攃an openly talk about what they need, without fear of being judged,鈥� she says. 鈥淚t鈥檚 what Alan Case was trying to get me to do all those years ago.鈥�

Editor鈥檚 note: Since the publication of this story, Wallace has accepted a new position as assistant stage manager on the Broadway show Water for Elephants.

Alan Case served as a collaborative pianist, vocal coach, musical director, and piano soloist extraordinaire at 黑料传送门 Department of Music & Musical Theatre for 33 years.聽聽He touched the lives and spirits of innumerable 黑料传送门 students before his untimely death in 2014.聽 聽In an effort to memorialize Alan through music, 黑料传送门鈥檚 Department of Music & Musical Theater is raising funds to help purchase new pianos. .